My emotions have been swirling since returning from the Art San Diego show 3 weeks ago, with my wife Lynn, and daughter, Sorche. “What am I doing as an artist?” I’ve been asking myself. My spirit says I’ve come to the end of a season with the Prayer Machine creations and am about to start into a new one. Am I ready?
So far I see the journey with the Prayer Machines in three phases; the first part being our move to Germany from 2008 – 2011 where the Prayer Machines were conceived.
The second phase has taken place over the past 6 years, from the time we arrived back in Canada in July 2011 to the first showing at the Toronto Outdoor Art Exhibition in July 2012, through this past Art San Diego show at the end of September, 2017. This phase allowed us to introduce the Prayer Machines to the public, establish prices and value, and form relationships with a number of different galleries now carrying the work.
That means the third phase is beginning now, anticipating a return to the Spectrum Miami show in December for the fourth time, during Art Week Miami, arguably the largest collective art fair in the world.
The Prayer Machines have evolved. Initially, they came out of an experience I had in Germany when I couldn’t find words to use in prayer. In my distress I wondered what my prayers would look visually, rather than sound like with words. Intuitively I started playing with wire, twisting it into ambiguous machine-like looking objects. My prayer life returned and I ended up calling these little creations “Prayer Machines”.
Since my first experimental constructions, the Prayer Machines have changed as I’ve added colour, kinetic movement and more complexity. Now I find I want to take them beyond being reminders of that experience back in Germany and have them talk about things going forward as well. They’ve made me curious. I’m curious about what machines are, where they’ve come from and where they are going. I’m curious about the intermingling and identification we have with machines. I’m curious about how that relationship will develop and further define us. In culture we are often seen to be pitted against “the machine” but I wonder why the relationship continues to be so dependant and why it’s so often personalized?
I’m not sure anymore if what I’m doing is art, or if I’m even an artist. What I know is that I make things, objects, hopefully beautiful objects, and I deal in imagination. Entering this third phase with the Prayer Machines I’d like to look further into our entanglements with machines and the impact of technoculture on how we live, think, make decisions and view who we are. My imagination will be the road, the Prayer Machines the vehicles my curiosity uses to travel, as I explore our growing relationship with the machines we are creating.